Insights Hub.

Katana in 2018 and the road ahead

We take a look back at some of our best Katana customer stories from 2018, and look ahead to what’s in store for next year.

Rear projection on Solo: A Star Wars Story

We catch up with Rob Bredow, Head of ILM, about his work using advanced projection techniques on Solo: A Star Wars Story.

Discover the Deep Compositing Work For Planet Of The Apes

You ape-solutely have to see this.

Bottleship VFX: preparing for a more complex look development and lighting future

In this article, we catch up with Hristo Velev, founder of Bottleship VFX, to find out why Bottleship realised now was the time to future-proof their pipeline.

Think you’re too small for Katana? Think again…

Jakarta-based Cinemasphere explain why they integrated Katana into their pipeline - and how it’s having a big impact on ROI.

Hybrids: the VES award-winning short by five students

In this article, we talk to the students behind Hybrids, winners of the Outstanding Visual Effects in a Student Project award at this year’s VES Awards.

How we achieved the iconic look of Blade Runner 2049

How Framestore helped craft the eerie, atmospheric aesthetic for neo-noir science fiction thriller, Blade Runner 2049.

How data analysis is improving matchmoving

Matchmoving can be time consuming and fraught with frustration. We interview Alastair Barber, whose work with DNEG and the University of Bath focused on improving the process using data analysis and algorithms.

Finding freedom through deep compositing techniques

Deep compositing is a groundbreaking, time-saving technique that’s firmly taken root across the film industry over the last decade. Find out why in this article.

The Christmas ad wars: bringing Paddington to life for Marks & Spencer

As the big brands battle it out for the best Christmas ad this year, we catch up with Framestore about their role in bringing to life a certain marmalade-loving bear.

危机如何让Victor Pere转变为了一名数字艺术家？

Aaron Sims Creative: Stranger Things

Behind-the-scenes of Stranger Things series two.