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MPC BMW advert
Film & TV

SIGGRAPH 2019 | How MPC overcame their challenges in their latest BMW advert

Speeding up your creativity.

Dawn Fidrick from Griffith Observatory
Film & TV

SIGGRAPH 2019 | Find out how Griffith Observatory can help you explore the stars

A truly out-of-this-world experience.

Nick Boughen CG Masters
Film & TV

SIGGRAPH 2019 | Why the world needs better Lighting

Nick Boughen, CG Masters, on why it's as clear as day and night.

Susan Zwerman Siggraph 2019
Film & TV

SIGGRAPH 2019 | Discover the talent of VFX artists on the autism spectrum

Discover the movie magic behind some of your favourite motion pictures.

Katana car
Film & TV

Teaching studio-leading technology: why Lost Boys chose Katana

We caught up with Lost Boys to discuss why they chose to teach Katana to their students.

min read
Lizard creature
Film & TV

Foundry 2019 | Showreel

Take a look at some of the amazing work from Foundry customers.

Storyboard programme
Film & TV

Find out how a Storyboard Artist uses Flix

Viktorija Sipilova on all things Flix and pre-production.

Smart look and lighting development
Film & TV

The five challenges standing between you and a smart look dev and lighting pipeline

Look and light development can make or break a production. Find out which software can save you time and money.

min read
Kubo and The Two Strings
Film & TV

Story development: the four key challenges you have to crack

The key challenges studios face in the development process and how to overcome them. Read more.

min read
Mari 3D Painting Effect
Film & TV

Four crucial reasons to experience 3D painting without limits

Modern texture painting requires power, performance, and pipelineability

min read
VoluMagic and datasets in Nuke
Film & TV

VoluMagic: the creation and manipulation of volumetric datasets in Nuke

Take a look at some of the aims of Foundry’s new R&D project looking at the manipulation of volumetric datasets in Nuke.

min read
Open standards header
Film & TV

Open Standards will change the VFX Industry as we know it

A look at why the move to open standards across the VFX industry should be welcomed by all - from the smallest player to the largest.

min read