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Articles November 30, 2018

Katana in 2018 and the road ahead

We take a look back at some of our best Katana customer stories from 2018, and look ahead to what’s in store for next year.

min read

Film & TV

Articles November 07, 2018

Rear projection on Solo: A Star Wars Story

We catch up with Rob Bredow, Head of ILM, about his work using advanced projection techniques on Solo: A Star Wars Story.

min read

Film & TV

Case Studies November 01, 2018

Aspiring to be a texture artist at a big studio? Hear Paul’s story

Find out how texture artist Paul Paulinho fell in love with texturing through Mari and bagged a dream job at Method Studios. Watch the video here.

min read

Film & TV

Articles October 25, 2018

One billion assets: How Pixar’s Lightspeed team tackled Coco’s complexity

We speak to Renee Tam, Lightspeed Lead at Pixar Animation Studios, about how her team overcame complexity to deliver the critically acclaimed movie, Coco.

3 min read

Nuke and Mari help in creating visuals for Peter Rabbit

Film & TV

Case Studies October 22, 2018

How Animal Logic beat the clock on Peter Rabbit

Combining a mix of visual effects and modern animation techniques, Peter Rabbit is a great showcase of what the team at Animal Logic can do. Watch this video to find out how they used Nuke and Mari to help create it.

min read

Film & TV

Case Studies October 17, 2018

Weta Digital: managing complexity on War for the Planet of the Apes

Get a behind-the-scenes look at Weta Digital’s deep compositing work in War for the Planet of the Apes. Watch the video here!

min read

Film & TV

Videos October 17, 2018

Discover the Deep Compositing Work For Planet Of The Apes

You ape-solutely have to see this.

Film & TV

Case Studies September 24, 2018

Bottleship VFX: preparing for a more complex look development and lighting future

In this article, we catch up with Hristo Velev, founder of Bottleship VFX, to find out why Bottleship realised now was the time to future-proof their pipeline.

min read